Workshop Faculty

Lee K. Abbott, Fiction

Lee K. Abbott is the author of Love is the Crooked Thing, Living After Midnight, Wet Places at Noon, and, most recently, All Things, All at Once: New & Selected Stories. His fiction and articles have appeared in Harper’s, Atlantic Monthly, The New York Times Book Review, and Southern Review, among others. For many years he taught at The Ohio State University, where he was a Humanities Distinguished Professor of English. His work has been included in Best American Short Stories and The O’Henry Awards.

David Baker, Poetry

Among David Baker’s fourteen books are his most recent poetry collection, Never-Ending Birds (2009, W. W. Norton), winner of the 2011 Theodore Roethke Memorial Poetry Prize, and Talk Poetry: Poems and Interviews with Nine American Poets (2012, Arkansas). This latest title is cosponsored by The Kenyon Review and gathers Baker’s KROnline interviews with a number of important poets. For his work, Baker has been awarded fellowships and grants from the John Simon Guggenheim Memorial Foundation, National Endowment for the Arts, Poetry Society of America, Ohio Arts Council, Society of Midland Authors, and others. He currently serves as Professor of English at Denison University where he holds the Thomas B. Fordham Chair of Creative Writing. He is the poetry editor of The Kenyon Review.

Gretchen E. Henderson, The Art of Text

Gretchen E. Henderson has published two hybrid novels, The House Enters the Street and Galerie de Difformité , a book deforming across media and winner of the Madeleine Plonsker Prize. She has also published collections of nonfiction and poetry, On Marvellous Things Heard and Wreckage: By Land & By Sea. Her cross-genre writings have appeared in a wide range of journals and anthologies, including Iowa Review, The Kenyon Review, The Southern Review, Ploughshares, Journal of Artists’ Books, Black Warrior Review, Performance Research, and The &NOW Awards: The Best Innovative Writing. Gretchen teaches at Georgetown University and loves collaborating with artists. Her opera libretto, Cassandra in the Temples, was recently performed at MIT.

Caitlin Horrocks, Fiction

Caitlin Horrocks is author of the story collection, This Is Not Your City, a New York Times Book Review Editor’s Choice and a Barnes and Noble Discover Great New Writers selection. Her stories appear in the New Yorker, The Best American Short Stories, The PEN/O. Henry Prize Stories, The Pushcart Prize, Paris Review, the Atlantic, Tin House, One Story, and many other journals and anthologies. Her awards include the Plimpton Prize and a Bread Loaf Writers’ Conference Fellowship. She teaches at Grand Valley State University in Grand Rapids, Michigan, and in the MFA Program for Writers at Warren Wilson College. She is the fiction editor of The Kenyon Review.

Man Martin, Novel Workshop

Man Martin lives, teaches, and writes in Atlanta, Georgia. The Georgia Writers Association named him Georgia Author of the Year in 2008 for his debut novel, Days of the Endless Corvette, and again in 2012 for his second novel, Paradise Dogs. His short stories, essays, and poetry have appeared in The Kenyon Review, McSweeney’s Internet Tendency, Pleiades, and elsewhere.

Rebecca McClanahan, Literary Nonfiction

Rebecca McClanahan’s tenth book is The Tribal Knot: A Memoir of Family, Community, and a Century of Change. She has also published five books of poetry, three books of writing instruction, and The Riddle Song and Other Rememberings, winner of the Glasgow Award in nonfiction. Her work has appeared in Best American Essays, Best American Poetry, The Kenyon Review, Gettysburg Review, the Sun, and numerous anthologies. The recipient of the Wood Prize from Poetry Magazine, a Pushcart Prize, and literary fellowships from New York Foundation for the Arts and the North Carolina Arts Council, McClanahan teaches in the MFA programs of Queens University (Charlotte) and Rainier Writing Workshop.

Dinty Moore, Literary Nonfiction

Dinty W. Moore’s memoir Between Panic & Desire (University of Nebraska) was winner of the Grub Street Nonfiction Book Prize in 2009. His other books include The Accidental Buddhist, Toothpick Men, The Emperor’s Virtual Clothes, and the writing guide, The Truth of the Matter: Art and Craft in Creative Nonfiction. Moore has published essays and stories in Southern Review, Georgia Review, Harpers, The New York Times Sunday Magazine, Philadelphia Inquirer Magazine, Gettysburg Review, Utne Reader, and Crazyhorse, among numerous other venues. A professor of nonfiction writing at Ohio University, Moore has won many awards for his writing, including a National Endowment for the Arts Fellowship in Fiction.

Carl Phillips, Poetry

Carl Phillips is the author of twelve books of poetry, most recently Silverchest (FSG, 2013), and Double Shadow (FSG, 2011), winner of the Los Angeles Times Book Prize. Other honors include the Kenyon Review Award for Literary Achievement, the Kingsley Tufts Poetry Award, the Lambda Literary Award, and fellowships from the Guggenheim Foundation, the Academy of American Poets, and the Library of Congress. A new book of essays, The Art of Daring: Risk, Restlessness, Imagination, will appear from Graywolf this year. Phillips is Professor of English at Washington University in Saint Louis.

Roger Rosenblatt, Literary Nonfiction

Roger RosenblattRoger Rosenblatt is the author of six off-Broadway plays and seventeen books, including New York Times Notable Books Kayak Morning and The Boy Detective, as well as other national bestsellers Unless It Moves the Human Heart, Making Toast, Rules for Aging, and Children of War, which won the Robert F. Kennedy Book Prize and was a finalist for the National Book Critics Circle Award. His essays for Time and The NewsHour on PBS have won two George Polk Awards, the Peabody, and the Emmy. He has held the Briggs-Copeland appointment in the teaching of writing at Harvard, and is currently Distinguished Professor of English and Writing at Stony Brook University. He lives in Quogue, New York.

Ellen Sheffield, The Art of Text

Ellen Sheffield is a visual artist whose work integrates text, image, and the book form. The recipient of two Ohio Arts Council Individual Artist Fellowships, she teaches Book Arts and Art and Text as a Visiting Instructor of Art at Kenyon College. Recent exhibitions include those at CODEX V International Book Fair, Richmond, CA (2015), The Dairy Barn, Athens, OH (2014), J. Willard Marriott Library, University of Utah, Salt Lake City, UT (2014), Denison Museum, Denison University, Granville, OH (2013), The College of Wooster Art Museum, Wooster, OH (2012), The Word and Image Gallery, Bright Hill Literary Center, Treadwell, NY (2012), and the School of Fine Arts Gallery, Indiana University, Bloomington, IN (2011). Her work is represented in the collections of the Beinecke Library at Yale University, the University of California-Riverside, College of Wooster, and Kenyon College Special Collections, among others.

Mary Szybist, Poetry

Mary Szybist is most recently the author of Incarnadine, winner of the 2013 National Book Award for Poetry. She the recipient of fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Rona Jaffe Foundation, the Witter Bynner Foundation in conjunction with the Library of Congress, and the Rockefeller Foundation’s Bellagio Center. Her work has appeared in such publications as Best American Poetry, The Kenyon Review, Poetry, Ploughshares, and two Pushcart Prize anthologies. Her first book _Granted_ won the 2004 GLCA New Writers Award and was a finalist for the National Book Critics Circle Award. A native of Williamsport, Pennsylvania, she now lives in Portland, Oregon where she teaches at Lewis & Clark College.

Nancy Zafris, Fiction and Novel Workshop

Nancy Zafris has taught at the Kenyon Review workshop for many years. Her latest book, The Home Jar, a collection of short stories, was published in 2013. She has also written The People I Know, winner of the Flannery O’Connor award for short fiction and the Ohioana Library prize, as well as the novels The Metal Shredders and Lucky Strike. She has received two National Endowment for the Arts grants and has taught in the Czech Republic as a Fulbright fellow. The former fiction editor of The Kenyon Review, she is now the series editor of The Flannery O’Connor award for short fiction.

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