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Fall 2024 • Vol. XLVI No. 4 • Poetry |

Writer’s Aid

A man who gets to eat a steak as big and soft as a baseball glove is supposed to be lucky in love. 
That’s what I read on a wall yesterday. It was written in clean, tight script above a drawing of an
empty plate—dotted with blobs of mustard and ketchup. I don’t know who put it there. I don’t
know why this is true, because no one I know has ever eaten a steak drooping over the sides of
a plate, waiting to have a fork and knife plunge into its tender flesh. No one I know is in love
either, but that’s a different story. Perhaps this is why I spend my days getting on long silver
buses and sitting next to you, whoever you are and wherever you are going. I never say much
more than “excuse me” or “hello, sorry to take up this space beside you.” That’s because I am
waiting for you to open your mouth and for the words that you have stored up inside, the ones
knotted around your heart, to spill out, a soft steady torrent that might cause whiplash in the
unprepared or ill-equipped. You always look different, while I am just the same—a blank book
you want to fill with your tales of torment and disaster.

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Photo of John Yau

John Yau received the 2018 Jackson Poetry Prize, awarded annually to an American poet of exceptional talent. His recent published works include a selection of essays, Please Wait by the Coatroom: Reconsidering Race and Identity in American Art (Black Sparrow, 2023); a book of poems, Tell It Slant (Omnidawn, 2023); and a catalog, Disguise the Limit: John Yau’s Collaborations with Artists (University of Kentucky Art Museum, 2024).

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