Joseph Campana is a poet, arts critic, and scholar of Renaissance literature. He is the author of The Pain of Reformation (Fordham UP, 2012) and two collections of poetry, The Book of Faces (Graywolf, 2005) and Natural Selections (2012), which received the Iowa Poetry Prize. He teaches Renaissance literature and creative writing at Rice University.
Lynn Domina is the author of two collections of poetry, Corporal Works and Framed in Silence, and the editor of a collection of essays, Poets on the Psalms. She currently serves as Head of the English Department at Northern Michigan University in Marquette, MI.
Heid E. Erdrich is the author of four books of poems, most recently Cell Traffic: New and Selected Poems. She is Ojibwe enrolled at Turtle Mountain.
Honorée Fanonne Jeffers is the author of four books of poetry, most recently The Glory Gets (2015). She has won fellowships from the National Endowment for the Arts and the Witter Bynner Foundation through the Library of Congress. A native southerner, she now lives on the prairie where she teaches at University of Oklahoma.
Janet McAdams is an Editor at Large for the Kenyon Review. She is the author of two books of poetry and a novel. A chapbook, Seven Boxes for the Country After, is forthcoming from Kent State University Press.
Dean Rader’s debut collection, Works & Days, won the 2010 T. S. Eliot Poetry Prize. Landscape Portrait Figure Form (Omnidawn 2013) was named by the Barnes & Noble Review as one of the Best Poetry Books of the year. He is a professor of English at the University of San Francisco and is the editor of 2014 anthology 99 Poems for the 99 Percent. His forthcoming book, Self-Portrait as Wikipedia Entry, will appear in 2016 from Copper Canyon.
Lesley Wheeler‘s fourth collection, Radioland, was published in 2015 by Barrow Street Press. Her poems and essays appear in Crazyhorse, Ecotone, Poetry, and other journals. She is the Henry S. Fox Professor of English at Washington and Lee University in Virginia and blogs about poetry at http://lesleywheeler.org/.