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Spring 2003
New Series · Volume XXV Number 2

Contents · Contributors · Selections · Editor's Notes & Cover Art

 

   

contents


new voices

  • David Baker • (Commentary) On Christopher Cessac’s Republic Sublime, winner of the 2002 Kenyon Review Prize in Poetry
  • Christopher Cessac • Excerpts from Republic Sublime

     

nonfiction

  • Henry Alley • The Well-Made World of the O. Henrys, 1961-2000

 

Fiction

  • Karen Palmer • Virtuoso Mio (2005 Pushcart Fiction Prize)
  • Ron Rash • Speckle Trout (2005 O. Henry Prize)
  • Roger Rosenblatt • My Bear
  • Patricia Vigderman • Rumi and the Fish
  • Mitch Wieland • Swan’s Song
  • Anthony Winner • Three Figures Out of Schools

 

Poetry

  • Theresa Daniels • That the End Could Be Beginning
  • Thomas Glave • Interview with the Not-Poem
  • Susan Hahn • Pity the Self—Middle-Aged
  • Bob Hicok • Elsewhere; To Err Is Humid; Red Licorice
  • Mark Jarman • A Pair of Tanagers
  • Mary Karr • This Lesson You’ve Got; Preparatory Science Fair
  • Vénus Khoury-Ghata, translated by Marilyn Hacker • from She Says: Three Untitled Poems
  • David Kirby • Borges at the Northside Rotary
  • Laurence Lieberman • Crush into These Blakk Feet
  • Joshua McKinney • In Earnest
  • Kevin Prufer • Questions for the Drowned at Sea
  • Wyatt Prunty • Ash: 9/11
  • Maurya Simon • The Spiral Pilgrimage
  • Charlie Smith • I Mean Everything I Say
  • Natasha Trethewey • Miscegenation
  • Michael Waters • Miserere; Wedding Dress; Erotic Roman Antiquities
  • Robert Wrigley • Mummy of a Mouse; Agency

 

Reviews

  • Geoffrey Galt Harpham • From Revolution to Canon

    The Norton Anthology of Theory and Criticism, edited by Vincent Leitch, William E. Cain, Laurie A. Finke, Barbara E. Johnson, John McGowan, and Jeffrey J. Williams

  • Willard Spiegelman • Repetition and Singularity

    The Seven Ages by Louise Glück; Never by Jorie Graham

  • Myles Weber • The Goldilocks Formula

    The Playwright’s Guidebook by Stuart Spencer


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